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Does ‘Three Billboards’ Say anything about America?

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작성자 Shavonne Krawcz…
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Sometimes, a movie comes along that appears to take the H.O. If you have any concerns regarding wherever and how to use {, you can speak to us at our page. V. It gets a bunch of nominations and wins some big prizes, occasionally the biggest ones, and most of the time, people - moviegoers, moviemakers, movie critics - will say they didn’t see it coming, that the enthusiasm for this movie doesn’t make any sense, that the praise being slathered insults how good about a dozen other movies actually are. Nonetheless, the movie is even kind of a hit. In its own accidental way, it does seem to be saying something about, you know, now. And the more love the prize givers throw at it, the more some people want to throw themselves off a cliff. Last year, that movie was "La La Land." Two years before that, it was arguably - suddenly - "American Sniper" (winner of nothing especially big, but big in the meaning we ascribed it). "Three Billboards" is about a mother determined to humiliate and harass a small-town police force into solving the months-old rape and murder of her teenage daughter.


Frances McDormand plays the woman - her name is Mildred Hayes - and the billboards are the site of her campaign. "Raped while dying," reads one. "And still no arrests," read another. "How come, Chief Willoughby? " asks the last. What’s got people arguing is whether the movie is convincingly about America (Ebbing is as real a place as Narnia) and whether this movie about America ought to be, say, redeeming one of the racist cops serving and protecting Ebbing. Of course, anybody who loves "Crash" already knows the answer to that one - "Why not! The reason to do any barking - well, the reason for me - is that "Three Billboards" feels so off about so many things. It’s one of those movies that really do think they’re saying something profound about human nature and injustice. It’s set in the country’s geographical middle, which should trigger a metaphor alert. We’re talking about the sort of heartland populated by average-looking people meant to be made poetically interesting by their exotic brides (from Australia!), dying words ("Oscar Wilde") and symbolically sadistic late-night film taste (one vindictive woman who isn’t Mildred is glued to "Don’t Look Now"). Individually, not one of these choices qualifies as a disaster. But they’re conflated here in a way that achieves a grating otherworldliness. Frances McDormand’s leading turn in "Three Billboards Outside Ebbing, Missouri" is being praised as one of the finest of her career. But that’s no small claim, considering the variety and power of her filmography thus far. We are having trouble retrieving the article content. Please enable JavaScript in your browser settings. Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times. Thank you for your patience while we verify access. Already a subscriber? Log in.


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