[2010 NAMM] - Focusrite MkII Octopre Dynamic Microphone Preamp
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New at NAMM 2010 is the Focusrite OctoPre MkII Dynamic. It features eight channels of Focusrite’s legendary mic preamplification, with new, single-dial, VCA-based compressors derived from the classic Focusrite Red 3 on every channel.
On-board digital converters, with state-of-the-art clocking and jitter-elimination technology, enable you to stream eight channels of 24-bit/96 kHz digital audio to and from an ADAT-equipped computer workstation or hard disk recorder.
It can be easily added to any project studio or live recording rig, including those running Pro Tools M-Powered, LE and HD, as well as the likes of Logic, Cubase, Sonar and Digital Performer.
The preamp circuits are the same as those found in the Saffire PRO range of high-quality audio interfaces. The circuits also have a fast transient response and tolerance for high SPLs, as well as transparent sound.
Each channel has a VCA-based compressor that emulates the legendary Focusrite Red 3. When designing the circuitry, Focusrite accurately matched the shape of the Red 3’s knee, to ensure the characteristics of the studio classic were captured. As a result, you can use the compressor to provide a clean, controlled sound, or, using the “more” switch, it’s possible to transform the behavior of the VCA, doubling the ratio to deliver an invigorated effect compressor.
The A-D and D-A converters can operate at common sample rates of up to 96 kHz, with dual TOSlink ports carrying the SMUX-compliant ADAT signal to and from your audio interface, mixing console or hard-disk recorder. When running at 44.1 kHz or 48 kHz, the twin outputs are mirrored, so you can feed two ADAT-equipped devices - a computer audio interface and a backup recorder, for example - with the same signal.
On-board digital converters, with state-of-the-art clocking and jitter-elimination technology, enable you to stream eight channels of 24-bit/96 kHz digital audio to and from an ADAT-equipped computer workstation or hard disk recorder.
It can be easily added to any project studio or live recording rig, including those running Pro Tools M-Powered, LE and HD, as well as the likes of Logic, Cubase, Sonar and Digital Performer.
The preamp circuits are the same as those found in the Saffire PRO range of high-quality audio interfaces. The circuits also have a fast transient response and tolerance for high SPLs, as well as transparent sound.
Each channel has a VCA-based compressor that emulates the legendary Focusrite Red 3. When designing the circuitry, Focusrite accurately matched the shape of the Red 3’s knee, to ensure the characteristics of the studio classic were captured. As a result, you can use the compressor to provide a clean, controlled sound, or, using the “more” switch, it’s possible to transform the behavior of the VCA, doubling the ratio to deliver an invigorated effect compressor.
The A-D and D-A converters can operate at common sample rates of up to 96 kHz, with dual TOSlink ports carrying the SMUX-compliant ADAT signal to and from your audio interface, mixing console or hard-disk recorder. When running at 44.1 kHz or 48 kHz, the twin outputs are mirrored, so you can feed two ADAT-equipped devices - a computer audio interface and a backup recorder, for example - with the same signal.
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